ilerix
"Creation, to me, is to try to orchestrate the universe to
understand what surrounds us. Even if, to accomplish
that, we use all sorts of stratagems which in the end
prove completely incapable of staving off chaos."
Peter Greenaway  

 siir ozbilge

"... It is in vain that we say what we see,
because what we see never resides
in what we say."
Michel Foucault  
1980 - 1984 Bosphorus University, The Faculty of Arts
and Sciences, History Department
1984 - 1985 Vienna – Künstlerische VHS
(Silk Painting Techniques)
1985 - 1987 Vienna – Leslie De Melo WUK
Ceramics & Paper Sculpture Workshop
1987 Vienna – Birth of Imge, my elder daughter
1990 Madrid – Birth of Sine, my younger daughter
1996 - 1998 Vienna – Margareten Youth Center
Painting & Drawing Workshop with Children
1999 Vienna – Institute of Sciences & Arts
Feminist Theory & Women Studies Center
Opening Exhibition by Women Artists
1999 - 2004 Vienna & Istanbul – Ilerix Internet Solutions Ltd.
Web Design
2000 Vienna – Cafe Purkersdorf
Personal Exhibition
2000 - 2004 Golden Horn Records Co.
All graphics design work including
CD Artcovers and web design
2002 Vienna - Intercultural Theatre
Personal Exhibition
2003 - 2004 Istanbul – Cey Fine Arts Gallery
Painting & Drawing Workshops with Children
2004 Istanbul - Hayalet Publishing
Book Cover Design
2005 Istanbul - American Cultural Association Art Gallery
Personal Exhibition
2005 - 2006 Istanbul - La Fontaine Pre-School Education
Painting & Drawing Workshops with Children
2007 Istanbul - French Street Fair
Painting & Drawing Workshops with Children
2007 Istanbul - Eti Kids' Ship Education Project
Painting & Art Workshops with Children

Siir Ozbilge is a contemporary Turkish woman painter and designer. In the 90's she lived and worked in Vienna, and moved back to Istanbul, her hometown in 2002. Siir devised her own technique in painting. She mixes sand, stones, earth, paper, and crystals with acrylic color, and creates thick tissues on the canvas. Occasionally she uses textiles and other materials.

The primitive begins alone; he inherits no practice. Because of this the term primitive may appear at first to be justified. He does not use the pictorial grammar of the tradition –hence he is ungrammatical. He has not learnt the technical skills which have evolved with the conventions –hence he is clumsy. When he discovers on his own a solution to a pictorial problem, he often uses it many times –hence he is naive. But then one has to ask: why does he refuse the tradition? And the answer is only partly that he was born far away from that tradition. The effort necessary to begin painting or sculpting, in the social context in which he finds himself, is so great that it could well include visiting the museums.

But it never does, at least at the beginning. Why? Because he knows already that his own lived experience which is forcing him to make art has no place in that tradition. How does he know this without having visited the museums? He knows it because his whole experience is one of being excluded from the exercise of power in his society, and he realizes from the compulsion he now feels, that art too has a kind of power.

The will of primitives derives from faith in their own experience and a profound skepticism about society as they have found it... John Berger

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